Make Your Radio Submission Count With This Strategy

8204195250_6d4e042d25_zRadio submission is a big part of the growth of any musician. As a radio program host (and music curator), I get a LOT of music submissions and people asking for feature on The Appetizer Radio Show.

It’s really a great opportunity for us as a radio program to connect with new artists across the country and around the world.

However, I’m seeing some really bad trends in how artists are contacting media outlets. These trends have gone on for a while now. They’re happening more and more each month. I want to address these negative trends and encourage you to not make these mistakes.

justin-wayne-ill-micFirst, you really have to promote and submit your best music to radio and media. That means, your best songs are what you promote to media for being featured.

Too many musicians are not showcasing their best work, and it affects the way music curators have a first impression of them.

What I mean by this is, if you’re going to try and put your work in front of a media professional, make sure it’s the best you have, and that it’s amazing. It’s best if you get some objective critiques from media professionals before you embark on radio submissions or blog review requests. Justin Wayne (host of the Justin Wayne Show) said something very powerful about submitting your best music. Listen to his take on music submissions here.

Get Objective Critiques Before Radio Submission

There are plenty of good sources for objective critiques. One I highly recommend is Fluence.io. It is made up of music industry pros who run blogs, websites, radio shows, video programs, and everything in between. You do have to pay a small fee depending on who you submit the work to, but the payoff is that your music gets heard and you get honest feedback on it.

Critiques are one of the ways I work with artists too. If you’d like to submit music for a critique, contact me on Fluence.

Fluence

Here’s how an objective and professional critique benefits you: you know that what you offer media is of the quality and caliber of what music business professionals are looking for. If there’s something amiss in your sound, production or listener experience, that information should be presented to you so that you can fix it and revise it.

When you submit music to radio or blogs that is not top shelf, there’s a good chance it gets discarded. Your band name is more than likely forgotten, unless it’s creative enough that it sticks for a little while. But that memory of a less-than-savory sound can come back if the media rep gets another submission. So make that first impression count.

Your Radio Submission Is Part Of The Growth Journey

Get Your Music Radio Ready-Revised CoverRadio submissions are a necessary part of your journey as a musician. You should get your music out to radio as a way to promote and market your sound, gain new fans, and sell more music.

If you’ve contemplated sending an mp3 or CD to a station hoping for airplay, make sure you have the best version of your music ready to go. Get a good critique before you do so. It will pay off dividends in the process of making those radio connections.

BEFORE YOU SUBMIT MUSIC TO RADIO:  Gain insights into your the Radio-Ready-ness of your music with this free Ebook Get Your Music Radio Ready here.

Once you’re Radio Ready, getting your music added to radio stations becomes a matter of networking and strategy. Networking has that ugly buzzword feel because so many artists and marketers have misused it to do things other than what it should be used for.

diy musicians radio handbook print how to get radio airplay

 

 

Networking is essentially connecting dots with other dots that make (individual and collective) worlds better. How to target the right radio for your music, how to build your contact list, and what specifically to say to stations is illustrated in detail in The DIY Musician’s Radio Handbook. Click here to get your copy.

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