Tag Archives: DIY Musicians Radio Handbook

How To Get Better & Paid Gigs With Roberto Hernandez

Drummer, author and podcast host Roberto Hernandez

Is it strange or interesting to find another drummer on the podcast?

We’re just multifaceted artists, not just musicians with sticks who like to hit things, ha!

I was intrigued by Roberto Hernandez from the first message he sent me. Perhaps that’s because he chose one of the most unique ways to introduce himself.

Instead of the same generic “Hi this is me and let me give you my bio and a zillion links so you’ll pay attention to me” intro message, he did something different.

He took a page out of the DIY Musician’s Radio Handbook and reached out in a personal way.

 

 

How Roberto Hernandez Proved His Uncommon-ness

Roberto made a video specifically for me. He talked about listening to The DIY Artist Route Podcast and what he enjoyed from it. Then he mentioned his book, The Unstarving Musician’s Guide To Getting Paid Gigs.

Then he asked what it would take to jump on the podcast.

I was interested from the beginning. That’s how it works. That’s not just how it works with me, it’s how it works with most music curators and media hosts. It’s how it works with people.

That’s the story behind how I heard about Roberto Hernandez and why I brought him on the podcast. It’s why I read his book. It’s how we became friends.

What Being Specific & Relationship Oriented Gets You

Since this podcast episode was recorded, I’ve connected him with many folks in my network including past podcast guests because I believe in him and what he’s doing. He has a great message to spread to musicians to get one BIG piece of the puzzle figured out: how to get gigs that pay you.

If you’re tired of doing free shows for “exposure” or struggle with the How-To of gigging, Roberto is your man. I highly recommend his book for not just musicians and bands, but also anyone who is trying to get paid gigs including speakers. His method works.

This podcast is about more than just gigging. It’s a closer look at effective strategies for that oh-so-difficult introduction to people you don’t know.

When I said that friends can ask for gold but strangers can’t even get candy, this is what I’m talking about. Part of the difficulty in getting people of influence’s attention is the perspective we lack when we make that introduction.

Appealing To The Basic Human Nature

Who’s the #1 person you’re the most interested in, or the person you want others to know most?

It’s human to say it’s you.

Even the most empathetic people in the world have self-interest. That’s not a bad thing. It’s an honest thing.

Yet most of the time, we greet a new person that we want to connect with by talking exclusively about ourselves instead of appealing to the person we want to talk with. That little bit of extra time, even if it’s 30 minutes, goes a long way. It appeals to the primary interest of that person.

It’s also a way to show you’re not just reaching out to get a handout and a back scratch.

Back scratches are the “hook me up with a review or an interview or a feature on your platform” ask.

I’m not in the back scratching business, and neither are any music curator, media host, or booking agent worth their salt.

Take Your Relationship Building & Submission Outreach To The Next Level

How can you go from being a stranger to being connected? Listen to this podcast episode (player at top of post) and be enlightened. Add Roberto’s book & podcast to that mix, as well as my new Ebook that covers the introduction for music submissions is great detail. You can grab The Essential Recipe For Effective Music Submissions here.

How To Use Experience & Training For Maximum Impact

GrowthFarming-AppLogoExperience Still Matters. Here’s Why

You used to have to go to college or attend a seminar to get the education that’s now available online at a fraction-of-a-fraction of the cost. However, education alone won’t make you successful, no matter what field you’re in. Experience provides the testing ground to put education to work.

This is one reason why the aspect of selective education is so important. Think about it. In the information age, there’s little you can’t not-learn. The vast amount of data, education and information available can stymie your growth unless you choose to take it in stages.

This is where taking action-steps is so vital. For every blog article you read (including this one), take at least 1 action step towards putting what you gained to work (more on how to do that with this blog later on).

This is one reason why I challenge artists and entrepreneurs I work with through coaching to do specific actions after each of our sessions. The knowledge itself will take you places. However, you don’t reach the milestones you set without taking action. Action and experience paired with knowledge and understanding makes you a badass growth phenomenon.

How Education Is Still A Key For Growth & Success

This year I’ve spent more time diving into education as a resource for my own personal growth. I’ve also worked to develop a powerful network of some of the best creative industry educators, especially those who specialize in specific areas of expertise like marketing, audience growth (superfans in particular), social media, and platform building.

DIY Artist Route PodcastAmong the amazing folks I’ve connected and shared insights with include Jay Coyle (Berklee Online), Jay Coyle (Berklee Online & Music Geek Services), Andrew Apanov (Dotted Music), Brandon Gaille (The Blog Millionaire), Tom Giles (StageBloc), Michael Zipursky (Consulting Success), Steve Palfreyman (Music Launch Summit) and Seth Godin.

Most recently I had Jeremy Young from Soundfly & Flypaper on the podcast to discuss the power of education for musicians and creative entrepreneurs. TONS of great insight there.

Each of these incredible people have shared some very specific ways that education is a win-win for us. They’ve even shared some unconventional education methods. Go back and listen/download their podcast episodes to get more specifics.

Experience & Education Grows Our Ability To Build Relationships

The more we learn the more we have the capacity to learn.

Pair this with a thankful heart and attitude of gratitude (think growth farming and heart gardens here my friend) and you create the perfect outlet for connection with other people on similar subjects.

Honestly, it was partially my curiosity about a subject paired with my interest in these people I’ve reached out to which led to our conversations, and ultimately our ongoing connection.

screen-shot-2016-12-14-at-7-32-27-amOpportunities Opened By Way Of Education

Education creates doorways for longer-term connections. It starts with being curious. Curiosity is an absolutely necessary ingredient to making growth happen.

If you’re not curious how something works, or how you can learn to better yourself, it’s really hard to have the discipline to stick with the learning process.

Education works because of curiosity and commitment to growth. Without those two ingredients, it easily can become another thing we start out of intrigue and put on the backburner when the next shiny thing comes along.

In this phase, asking questions to the many teachers and pros in whichever space you’re spending time in creates a different kind of opportunity. It creates a different kind of connection. If you practice it well, with other insights you’ve learned here, you’ll gain an advocate and friend from the person you originally just wanted help from in an educational capacity.

I read a lot of books, mostly in the nonfiction realm. Though I don’t work in many of the industries that I read about, we can all learn some powerful methods of growth from those who have built something that works and that lasts.

I’m currently reading Tony Robbins’ Money: Awaken The Giant Within.  It’s a book that dives into several areas of personal and business growth. I’ve already learned a ton, and am already putting much of that learning into practice. I want to be great at practicing what I learn.

Another great book I read this year (that I highly recommend to you) is John C Maxwell’s How Successful People Grow.

Obviously, growth is something I’m a big student of. This little pocket-sized book took me 3 months to read because each little section has so much powerful wisdom I couldn’t fly through it. It’s been transformation to my growth this year. You need to read it.

Curiosity and intrigue are why many of my entrepreneurial friends outside of music love The DIY Musician’s Radio Handbook. The nuggets of community-building, effective communication, and networking in the book apply to everyone, regardless of your industry. It’s especially powerful for musicians because the How-To for getting radio airplay, blog reviews, and so forth are clearly detailed.

Investing In Educational Platforms Works

If you’re like me, you’ve probably signed up for a ton of free webinars, email courses, and online training programs that have a $0 price tag.

It’s natural to want to see how to win in this entrepreneurial and creative business without spending much cheddar. However, most of the free stuff doesn’t teach much.

There’s a reason why education continues to grow as a platform for success. What we invest in we practice. If something doesn’t cost us anything, we don’t spend much effort or energy in putting it to work.

However, when the growth method/education has a cost to it, we are naturally inclined to take it more seriously and take action on what we learn. That’s why if you really want to grow and learn how to do something from someone who truly knows their stuff, you should pay them for that information.

Knowledge is power. Experience is power. Knowledge plus experience plus great teachers create the kind of growth that can’t be stopped.

In the grand scheme of things, many of the best online training vessels have a much lower cost than your average semester at a university. Even a $100-$500 training online is cheaper than a semester at a state college that will run you at least $4000, even if it’s a junior college.

Plus, with online programs and training you get to be trained by people who are consistently putting their knowledge and experiences into practice. For a few hundred bucks (max price, often many courses cost much less), you can get the training and insights needed to skyrocket your success.

14206223_10154025032113918_710099330792237955_oWhat Education Platforms Should You Try In 2017

As we look to the future, what goals do you have? Think about the specific areas of your music or creative enterprise that you want to grow in.

Knowing your goals is the first key step in determining where to put your focus and attention for growth through training and education.

This short list is some of the growth and education platforms I have experience with from working with these fine folks in the past, including taking their courses. With the exception of the Music Launch Summit (and my own course listed towards the bottom), there’s no affiliate link in this for me.

I’m including these platforms because I believe in them and can attest to how effective they are. I’m not getting paid anything to do this, so the incentive is purely to help you. It’s a straight plug for folks I know who do great work and who can help you grow.

  • If you want to learn how to build your sound (production), write better songs, learn how to win in the music industry and more, Soundfly has some great offerings. Click here to get in.
  • If you want to grow your social media presence on Twitter, I highly recommend my good friend Carlos Castillo’s course. Click here to get in.
  • If you are trying to figure out how to get radio airplay, blog features, podcast interviews and build a powerful database of music industry influencers, my Indie Radio Course is just what you’re looking for. Click here to get in.
  • If you have thought about hiring a PR firm or publicist to get the word out about you, get interviews or reviews, but struggled to find the right company that wouldn’t break the bank, you can learn how to Be Your Own Badass PR Pro in this great course that I was a part of. Click here to get in.
  • And if you want to learn from the best of the best in the indie music world, my friend Steve Palfreyman’s Music Launch Summit features special training sessions and more with the likes of Dave Kusek, Rick Barker, Cari Cole, Rodney Holder, Yann Illunga, Wendy Parr and a ton more great teachers. Click here to get in for this coming year’s lineup. It’s going to be even bigger and more incredible this year than when it debuted.

 

DGS_RadioHandbook_Cover-1AWant some FREE education? Most of us do. Here’s how you can get a free gift this season, just from me. Like I said in the last podcast episode, I’m giving away a few free copies of The DIY Musician’s Radio Handbook to my Growth Farming community in my email list. You can sign up for my email list in the right hand column to connect more with me and have a way to get a free copy sent out soon. Looking forward to connecting more with you!

Build Stronger Audience Connection With Amy Schmittauer

AmySchmittauerMost of us in the music and creative business space are seeing more and more videos in our social news feeds. Why is that? One big reason is video’s ability to build engagement. We’re naturally drawn to the power of moving visual and audio media. This is especially true when people are present in the videos. That’s the power that Amy Schmittauer shows us how to excel at.

I was not aware of how excellent Amy’s work is as a video blog coach until my friend Chandler Coyle pointed me to a video she did that talked about the power of radio for musicians. Her reference points are more in the pop realm of radio airplay, but the points she makes are spot on. In this example alone, we can see how the power of effective communication through video can convert people into becoming not only fans, but tribesmen. I’m not in her tribe, because one video wasn’t enough. I wanted to see what else she was teaching.

This video is how I first saw her work. Is it a How-To for getting radio airplay? NO. She’s talking about how getting your music in front of radio should be the first thing you think of when you think of marketing because it’s a natural fit. That’s completely true.

Amy’s site is full of her numerous videos, all showcasing ways to grow your audience using the power of video. I wanted to connect with her to learn more about her story, get her insights into how to take this platform of video production and translate it into the DIY music space, and build a dialogue. Her helpful personality isn’t just something on screen. It’s who she is  (authenticity is a key to building a solid core audience of super fans in any realm).

Does she talk about doing things in a digital space to build a big audience? Yes. Does that go against the grain for Audience Growth Farming? No. Here’s why: All of Amy’s content is about creating content for an audience you want to build a connection with. She talks about doing something from the perspective of the person you want to reach. That is EXACTLY the Growth Farming Method.

If you hear her talking about “mainstream” media or marketing in this piece, don’t ignore her words altogether because she’s still talking to you. She’s talking about all of us. We need to look at how we can present our

There are some really insightful and strong pieces of advice that Amy shares in this podcast episode (download and stream via iTunes, Stitcher, and Spreaker). Among them are how to focus on being consistent with your videos instead of trying to start out with the best equipment.

From my days back in the university world of media and journalism, I worked with a lot of young people starting their media experience.  They would hold off starting to work on their dreams of making videos until they got the best gear. Then they’d spend a fortune on gear that sat in a closet unused. Amy’s wisdom and advice here to start with what you have is spot on.

One key (very BIG key) that she points out repeatedly is something that’s covered extensively in The DIY Musician’s Radio Handbook. Your focus with your marketing and engagement methods must be on the person you want to reach. Think about what matters to them. This is your tribe of super fans, your core audience we’re talking about. What do these people care the most about? How can you serve their interests? By making your end user your focus, you will not only stand out, but you will find that the right people are magnetized to you.

“No one’s thinking about what the end user really wants, they just put out what they want to put out, and that’s NOT how you get people to like you.”

Amy Schmittauer goes beyond just talking about how to make videos that people want to see. She’s a master at building engagement. It’s not enough to just make a video that has you playing your song, or acting out drama for a music video. The audio element is key too. As Amy puts it, “Audio will kill your video. If it’s not good audio or it’s windy, or it’s crackly, no one’s going to watch that video. But if the video of the video is not the best quality in the world, people still watch it, which is why Snap-chat is a thing and crappy video is fine. It’s relatable. People think, ‘That’s probably the best I can do with a camera too.’ ”

“The best thing you can do is use what you have and actually make a video. Find out what the mistakes are. Find out how important lighting is, how important audio is. Your phone is a powerful device. You don’t need a bunch of gear. You’ve got to test and you have to practice. People want the perfect set before they get started, but we never get the perfect set.”

Everything we do to growth farm our audience involves a process of building trust and relationships. Flash-in-the-pan methods of getting attention are short-lived. They don’t create the connection and growth that we need as creatives to have sustainable careers. For musicians, radio airplay is a big part of this journey, because it builds upon the trust that they listener has with the station they tune into for great music.

“We want to say things a certain way but our audience is not going to understand it until they know, like, and trust us and want to go down that path with us. I think musicians and radio speak to that because if you see somebody come out on the radio, a lot of times it’s because they’ve been working really hard and finally come out with an album or a single track that’s perfect for radio in a popular nature. That’s the thing that gets them the exposure and the eyeballs and the influence and then the second album comes out and it’s like ‘I want to know who this guy is.’”

Listen and stream the full podcast episode here:

 

This is a realm of engagement I’m working on too, concerning video. I’m doing more and more of it, particularly on Youtube and Facebook. It’s important for us to learn more about what actions we can take to get our messages out to the right people who are wanting and needing us. Amy’s insights here are a great resource for that. Follow her on Youtube to gain more insights into effective video production for growth and great tips on being successful in this creative space.

Take what Amy Schmittauer talks about in building a stronger audience with radio airplay to the next level. Sign up for the Indie Radio Course now to get your music in front of more music super fans on indie radio.

Success In Music & Business Is In The Knowing Relationship

The music industry is just like any business. It’s relationship driven. Go to Hollywood and the people who continue to grow and land new opportunities are the ones utilizing their relationship connections. The tech world is the same. So are most business industries. The knowing is where the secret sauce of success is.

Relationship

Why then is it so hard for musicians in the indie, unsigned, and DIY world having such a hard time understanding this simple truth? The mantra of “pull yourself up by your bootstraps and go out into the world” is a bit of a misnomer.

Yes, you have to do the work for yourself to make growth happen. You can outsource some of the pieces, but you have to build your career to a place where outsourcing is possible and efficient. However, your ability to build relationships with other professionals in the industry is the main ingredient to short term growth, and long term success. This truth and the method for making it happen for you is detailed in The DIY Musician’s Radio Handbook.

You’ve probably heard the phrase “It’s all who you know in this business” to become successful. That’s true. Yet it’s only partially true. There’s another side to this that determines whether the people you know who have clout and influence will be beneficial to you. And there’s a way to know if you have this other side solved or if you need to dive deeper into the relationship-building process.

Who knows you back?

Over the past 2 months while connecting with new professionals, musicians, industry insiders, and business experts, this subject has come up multiple times. We all agree that relationships are both the engine and the fuel that propel all of us forward. However, we get confused too often into believing that if we just get an industry pro to follow us on social media or like something we post, that now we’re connected. It’s partially true at best.

Networking, in the classic business sense, has to do with a collaboration. There’s a mutual benefit between two parties, who come to know of this reciprocal connection from having interactions and conversations. You don’t get that relationship interaction from clicking “Like” on a post, or even exchanging a few words in a comment thread.

You can start this kind of connection through dialogue. Asking questions, getting answers, and opening yourself up for communication that is back and forth is how any relationship is built. It’s how you go from the idea of “knowing someone” to them knowing you back. Until someone knows you back, and there’s a dialogue that leads to some kind of collaboration, you’ve only solved part of the problem.

handshake

When we reach out to new folks online, we’re extending our hand to create a digital handshake. This can be done through email, Facebook message, DM on Twitter, or comment on a site. The response is where the beginning of them reaching back out to you happens. When that outreach is reciprocated and conversation happens, a relationship connection can be built.

The knowing goes both ways

I’ve got to give credit to putting the phrasing of “knowing you back” to my friend Shaine Freeman of The Miews Podcast. Shaine and I see growth and success for musicians very similarly. It seems like the business world understands the need for relationship connection to grow and find success. Music and musicians seem to have missed the bus on this reality. If you want to really have a successful career, understand that it’s not just who you know, but who knows you back.

DGS_RadioHandbook_Cover-1AMake building reciprocal relationships your goal and you’ll win. Discover the proven step-by-step process for doing this in your music career through outreach to radio and media in The DIY Musician’s Radio Handbook, now in Audiobook for a limited time on Noisetrade for free. Get it now.

How Radio Promotion Is Done Right With Jesse Barnett

RelationshipBeing a radio host, I’m plugged into different parts of this industry. I’m connected to radio stations, artists, managers, radio promoters, and listeners alike. I see things from the perspective of a radio station manager, music director, program host, and curator when it comes to music submissions. I do also see things from the perspective of the artists. It might seem like these are two opposing viewpoints, but they’re not.

Not if you look at it the right way.

Jesse Barnett

Jesse Barnett

Jesse Barnett (Right Arm Resource) is one who sees the harmony between the musicians and the media platforms who showcase their work. It’s a team effort, where both sides win when they work together. Look folks, there’s no I in team. We know that. It’s cliched. But how often do you, musicians, look at your music promotions to radio as something that offers a benefit to the station you reach out to other than them “getting to play” your music?

Radio and musicians win when there’s a relationship connection in place. That’s why public, community, indie and college radio continue to be powerhouses in the modern media-rich world. Relationships matter. Make that a focus and you’ll see bigger and better wins in your music promotion.

This podcast episode is about just that: relationships. Jesse is the best in the business of radio promotion because he puts relationships first. He has worked with and represented some big names in indie music including Damien Rice, They Might Be Giants, Cage The Elephant, and others. And he works with smaller indie labels and artists too, quite successfully I might add.

We talk about the power of networking and relationship building a lot in this episode because it’s the real key to achieving anything that lasts. Trust me. Or better yet trust Jesse. We’re both proof of this. Radio is a conduit between people who share interest, love, and stories driven by music. When radio works best is when it builds communities together of people who share these areas. That’s not the same thing as it being a platform that just plays music and has listeners. That’s boring commercial radio, which you’re not listening to.

One other thing that is mentioned a few times in this podcast episode is The DIY Musician’s Radio Handbook, which illustrates the exact things we talk about in a How-To format. Jesse has read it and shares his thoughts on it. It’s easy for me to tell you that you need this book. However, you decide how much you want to succeed. If you want to win, and you want long term wins, go grab the book here.

After you listen to this, if you get just 1 thing out of it (which I know is an understatement because you’ll get way more than that), do your part in the growth farming process and plant a seed with 3 of your music friends (i.e. share the episode). Cultivate it with me here, and let me know what 1 thing you got the most from in this conversation. We’ll talk soon!

James Moore Joins The DIY Artist Route With PR Tips

“A lot of artists, if they don’t know how to do something, they find some sort of ideological reason not to do it, and that holds them up. You do need to take that leap. Learn about it instead of complain about it.” -James Moore, Independent Music Promotions

Image credit: Ryan Donnelly

James Moore; Image credit: Ryan Donnelly

PR is a buzzword in some business circles. In some music circles it’s a curse word. Author and PR pro James Moore is working diligently to correct the misinformation about not only the the business of PR for musicians, but also the pieces that make it up.

One of the ways he’s done this is from his fantastic book, Your Band Is A Virus. Websites, branding, social media and guerilla marketing are all subjects covered in the book. I’ve read it, and encourage musicians to pick it up to educate yourself on the pieces of the entrepreneurial puzzle that is the music business for DIY artists.

I wanted James to join me on the podcast because we have similar mantras about growth, fan building and the essential need that every artist, startup and creative entrepreneur in this space has for using basic business principles to win. His quote above is something we discuss in the podcast, and address solutions for.

“Getting rid of the mental obstructions that are holding you back is the same for businesses as it is for musicians or any endeavor really.”

It’s easy to complain about all the pieces of the puzzle that is entrepreneurial business. There is a LOT to be confused about. There are even more pathways available to learn something new, and grow your ability to connect the dots. James’ work with musicians with his company, Independent Music Promotions, does a blend of education with hands-on networking.

One key piece of this puzzle is the reality of how networking and relationship building actually works in the digital space. I’m thankful that social platforms like Facebook and Linked In have given us the ability to connect with fellow community members across the country and around the globe. However, there is a misnomer that clicking a Follow button is the same as networking. It’s not. Networking is relationship building. This requires time, conversation and shared interests. We build our networks and our relationships over chats, talks, and reciprocal connections.

I’m thankful to James Moore for sharing his insights into how growth works from a PR standpoint, educating both musicians and entrepreneurs on the role of media coverage in the development process, and the myriad of great quotes provided in this conversation.

What stands out the most to you from what James shared? Is there one thing in particular you’ve been trying to figure out about PR and still don’t understand? Reach out and we’ll figure it out together.

In this chat we also talked about my upcoming book, The DIY Musicians’ Radio Handbook: How To Growth Hack Your Fan Base Using Radio Airplay. The book will be out in early May. Make sure you’re on my book list to get first dibs and special bonuses.

Gain Super Fans With My Upcoming Book. Sign Up For The Book Release Here:

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Make Your Radio Submission Count With This Strategy

8204195250_6d4e042d25_zRadio submission is a big part of the growth of any musician. As a radio program host (and music curator), I get a LOT of music submissions and people asking for feature on The Appetizer Radio Show.

It’s really a great opportunity for us as a radio program to connect with new artists across the country and around the world.

However, I’m seeing some really bad trends in how artists are contacting media outlets. These trends have gone on for a while now. They’re happening more and more each month. I want to address these negative trends and encourage you to not make these mistakes.

justin-wayne-ill-micFirst, you really have to promote and submit your best music to radio and media. That means, your best songs are what you promote to media for being featured.

Too many musicians are not showcasing their best work, and it affects the way music curators have a first impression of them.

What I mean by this is, if you’re going to try and put your work in front of a media professional, make sure it’s the best you have, and that it’s amazing. It’s best if you get some objective critiques from media professionals before you embark on radio submissions or blog review requests. Justin Wayne (host of the Justin Wayne Show) said something very powerful about submitting your best music. Listen to his take on music submissions here.

Get Objective Critiques Before Radio Submission

There are plenty of good sources for objective critiques. One I highly recommend is Fluence.io. It is made up of music industry pros who run blogs, websites, radio shows, video programs, and everything in between. You do have to pay a small fee depending on who you submit the work to, but the payoff is that your music gets heard and you get honest feedback on it.

Critiques are one of the ways I work with artists too. If you’d like to submit music for a critique, contact me on Fluence.

Fluence

Here’s how an objective and professional critique benefits you: you know that what you offer media is of the quality and caliber of what music business professionals are looking for. If there’s something amiss in your sound, production or listener experience, that information should be presented to you so that you can fix it and revise it.

When you submit music to radio or blogs that is not top shelf, there’s a good chance it gets discarded. Your band name is more than likely forgotten, unless it’s creative enough that it sticks for a little while. But that memory of a less-than-savory sound can come back if the media rep gets another submission. So make that first impression count.

Your Radio Submission Is Part Of The Growth Journey

Get Your Music Radio Ready-Revised CoverRadio submissions are a necessary part of your journey as a musician. You should get your music out to radio as a way to promote and market your sound, gain new fans, and sell more music.

If you’ve contemplated sending an mp3 or CD to a station hoping for airplay, make sure you have the best version of your music ready to go. Get a good critique before you do so. It will pay off dividends in the process of making those radio connections.

BEFORE YOU SUBMIT MUSIC TO RADIO:  Gain insights into your the Radio-Ready-ness of your music with this free Ebook Get Your Music Radio Ready here.

Once you’re Radio Ready, getting your music added to radio stations becomes a matter of networking and strategy. Networking has that ugly buzzword feel because so many artists and marketers have misused it to do things other than what it should be used for.

diy musicians radio handbook print how to get radio airplay

 

 

Networking is essentially connecting dots with other dots that make (individual and collective) worlds better. How to target the right radio for your music, how to build your contact list, and what specifically to say to stations is illustrated in detail in The DIY Musician’s Radio Handbook. Click here to get your copy.